About back story: My characters tend to have a lot of it, and I understand that this is a good thing. But I also have trouble /pacing/ it throughout the story so that the reader doesn’t get overwhelmed. And it just feels like I’m doing this:…
Abandoned Amusement Park in New Orleans
they say New orleans is haunted… this has proved the theory 100%
I was sending photos like this to everyone when I started writing Nightmare in Silver. There is something uniquely disturbing about abandoned Amusement Parks.
Japan > Everywhere else
OMG! *m*
This is Japan in a nutshell. Forget all the crazy stuff with the weird tv programs and the cosplaying—that’s just the outer shell that gets attention because it’s unusual. This, this is the beauty of the country. I’ve had little grandmothers chase me down because I dropped my shinkansen tickets. In amusement parks, the attendants do their upmost to get lost items (usually cardigans or kids’ shoes) back to the owners—before the owners even realize they’d lost said item(s). I’ve had complete strangers not only give my thorough directions but have offered to drive me to the place I needed to go.
It is so, so, so hard to go back to the States after you get the J-treatment. I mean, Japan has its downside (“What is this madness you call pizza???”), but the general attitudes of everyone—even the so-called hardcore yankees (two of whom who, on a blazing summer day, helped me find one of my schools when I was heinously lost in the labyrinth that is the neighborhood in which said school is located)—is the epitome of the mindset that I wish everyone would adopt. Because yelling at people gets you nowhere. And being able to empathize with people kinda helps make this country a really nice place to live in.
Reblogging again for THIS ↑↑↑↑
THIS IS THE MOST ACCURATE POST I’VE SEEN ON TUMBLR
So the problem with designing characters who become popular is that, if you’re a needy bastard like me who tracks the Lutece tags when you’re bored, you’re suddenly exposed to a ton of art of said characters in various states of undress.
I’m not one to discourage this sort of thing- no no, I have sketchbooks full of Remus/Sirius stuff from high school- but I figured I might as well give everyone a leg-up with a more detailed guide to Rosalind Lutece’s potential underthings. I’ve seen a ton of drawings of her in corsets from a good 50 years before her time and I… I needed to step in.
Think of this as a primer! Not a be-all-end-all of Edwardian underthings (heck, I’m still learning this stuff), but it might teach you some new fashion terms/ideas you weren’t previously aware of! Go forth, young padawan, and draw historically-accurate Rosalind porn to your heart’s content.
…I do not know if this counts as fanart or not since I’m the one doing it? Whatever. RESEARCH OR DIE MOFOS
